The experiment – scope and analysis

The analysis of what I wanted to achieve with the retirement cards and messages confirmed my initial notion that I should digitise them and include them in a printed photobook. Then, I got to thinking that I could include the leaving cards from my previous jobs; and it was a only a short jump from there to deciding to make it a photobook of all the jobs I have had and all their associated artefacts (including offer letters, payslips, and, in one case, reject drills from when I worked on a lathe). This much extended scope would provide a pretty searching test of the feasibility of digitising and bringing to life such mementos.

I extended the analysis to include this wider scope, with the results below:

During my lifetime I want:

  • the retirement comments and messages to be read…. by me ….occasionally;
  • the people who sent me the retirement cards and messages to be remembered…. by me… occasionally;
  • pride to be felt on reading some of the retirement messages…. by me…. occasionally;
  • the jobs I have done over the years to be glanced through…by me…occasionally;
  • the names and pictures of people I have worked with to be available as a reference source… by me… when the need arises;
  • the information about my career to be available… for anyone who is interested… when the need arises.

After death I want:

  • the material to be either kept or thoroughly destroyed (because of the personal information it contains)… by whichever relative it is passed onto;
  • the book to be glanced at…. by the relatives who knew me …. a few times;
  • fond memories of me to be felt…. by the relatives who knew me… a few times;
  • pride of the family to be felt… by the relatives who knew me… a few times;
  • the photobook to be used to tell family offspring about their ancestors… by older members of the family… when appropriate.

I must say that I found the analytical process particularly hard to do. It was difficult to identify and verbalise my feelings; and it felt uncomfortable and self indulgent doing so. I have concluded that for this to be a useful tool for others (and indeed for myself), it would need to be in the form of a picklist with the options already identified. Perhaps that is something I’ll work on later. Another thing I observed was that my wishes were different when I expanded the scope from my retirement cards and messages to all the jobs I have done in my career – even though the latter included the former. It seems that different groupings of mementos, and the different contexts one places groups of mementos in, can actually change what one wants to do with them.

An initial memento experiment

Ideally, to start this journey I would explore the research on mementos and the experiences of those who manage large collections of similar objects (such as museums, foundations etc). I do intend to do both those things. However, I have an immediate need to do something with my retirement cards and messages, so I shall use them as the topic for an initial practical experiment which will focus on the following two questions:

  1. What do I want to achieve?
  2. What do I do with the physical objects?

To answer the first question, I plan to try out a structured approach in which I will consider what I want with these mementos both within my lifetime, and after death. In both cases I will specify one or more desires, the people who each desire applies to and the period over which the desire should extend. The notion is that getting a more insightful answer to the first question will help to get a better answer to the second question.

Memento problems and opportunities

I believe many people keep mementos, probably to remind them of the experiences they have had. However, most of those people eventually have to face the question ‘do I really want to keep this thing that is taking up space and which in any case isn’t such a potent keepsake as it once was?’. On a small scale – one or two items – it’s not a big deal. However, the more mementos you keep and the older they  get, the question takes on more significance. Accompanying the storage problem is the question of accessibility. Presumably, the reason people keep mementos is to be reminded of the experiences they represent. However, just keeping something in a cupboard and coming across it every few years may not be the best way of achieving that.  This is a journey to discover how digitisation can help to make mementos more accessible and easier to store.

Digitising 30 years worth of BIT

For very many years subscribing to Journals meant accumulating large numbers of weighty and space consuming hardcopy editions. Nowadays, the move away from hardcopy journals is well underway. Nevertheless those of us who still have large sets of such documents still have the problem of dealing with them. So, I’ve decided to take the plunge and digitise my hardcopy collection of 30 years worth of the journal “Behaviour and Information technology” (BIT), and to switch to looking at new issues on screen rather than in hardcopy.

I do currently have a combined hardcopy and online subscription to BIT taken out through my professional association, the Institute of Ergonomics and Human Factors (IEHF). So, as a first step I checked out the online site (www.tandfonline.com) and discovered that I can download all the individual papers in every volume of the journal since 1996 – provided they are for my own personal use (publishers are very edgy about journal piracy). Earlier volumes, from the journal’s inception in 1980 through to 1995, are apparently not available to me under my current subscription through the IEHF. I’ve queried this with the publisher, Taylor & Francis, and await their response. In the meantime, however, I’m going to download all those papers from 1996 onwards for which I have made an entry in my filing index. Since my index entries are linked to the relevant electronic files within my document management system, I will then have immediate access to the papers concerned after I have disposed of the hardcopy journals. Although downloading files is a whole lot easier than scanning the hardcopy pages, it still won’t be a quick job: I have references to 698 BIT papers in my index….

HomeScale

Sometimes it’s just hard to imagine the size of things when they are written about in the newspapers – or even when they are shown in pictures. A recent TV programme about glaciers and icebergs showed a huge glacier front many kilometres long and very high, but it was impossible to grasp its scale until the research vessel came in shot at the foot of this monster. Of course the place we do fully grasp the size of is our home and its environs. So maybe some innovative software company could create an app which would enable you to select an object or geographic place and have it inserted into a picture of your house. With appropriate accompanying sounds, the insertion of the Grand Canyon into the back garden (and surrounding land for many miles each way) would be both dramatic and instructive.

Living wage experience

The UK movement to encourage employers to provide a living wage, as opposed to a minimum wage, is a commendable initiative. Perhaps it would gain more momentum if those in power could spend a week with a family on the minimum wage – or even on the living wage! A longer term strategy might be to have school leavers undertake the same experience.

Dress: Casual with one Change

After failing to record at least four ideas over recent months I’m making a determined effort to catch up. Here’s the first of the four.

Dress: Casual with one Change: A twist on organising a fancy dress party might be to specify a dress code which suggests that guests turn up in their normal attire but bring with them a change of clothes. Then, at some point during the party, have people change and parade in their alternative garb.

Finished!

Well, it’s finished! Although things went broadly to plan there were inevitably some pragmatic decisions that had to be made along the way – including filling an empty space that I hadn’t anticipated between the car and the area above the top of the barriers. In fact, it was a classic piece of serendipity which prompted me to include the logos of the companies I have worked for and a thumbnail of a retirement card saying ‘Don’t think of it as retirement’ – all excellent additions to round off the picture.

The whole process has been very instructive. I now know just how long it takes to plan and put together a coherent piece of art; and just how much skill there is in mixing paints and applying it with brushes. As for actually creating recognisable pictures of things in paint – well, I am in awe of those who are good at it. I am not, and my decision to stick to collage and broad swathes of paint was certainly the right one. The result is at least presentable and recognisable, and I have enjoyed the experience of turning a vision of an image into reality. Perhaps I will be moved to do others in the future.

As to whether the final result is what I wanted and as good as I would like – well the answer has to be, not quite. There are lots of aspects that could have been better – the outline of the vortex, the shape of the yellow leakage from the top, the too-uniform set of loose rocks below the car, the pattern around the edge – all these perhaps could be better. But most things can always be better, and these days I lean more towards completing than perfecting on the sea-saw of project choices. Anyway, judge for yourself.

Time to start on the real thing

The photo prints of the images I need all arrived early last week, and I finished trying the paints and trial sketches yesterday. So, all is now ready – I must take the plunge and actually start assembling and producing the painting!! I’ve realised that doing some things before others will have a significant effect both in terms of getting things in exactly the right positions and in getting the desired colour paint to appear on top of any adjacent colour. Consequently I’ve decided on the following order of work:

  1. Glue on the article
  2. Cut the road print to the right shape including any parts where the lava breaks through.
  3. Glue the road print
  4. Paint the background for the pictures at the top
  5. Cut the tie barriers to the right shape (including where the vortex comes through
  6. Glue on the barriers
  7. Paint the base layer of the edging
  8. Paint the black parts of the lava
  9. Cut and position the road surface and flying gravel and road foundations vis-a-vis the car
  10. Paint the orange and red of the lava including the blow out
  11. Paint the vortex
  12. Stick in the pictures above the barrier
  13. Stick in the car and flying road surface and gravel
  14. Paint the yellow in the lava
  15. Paint the design on the edging

So that’s it! There’s no more trying things out and prevarication on designs etc. It’s time to start work on the real thing and just do the best I can. What will be will be!